July 1 this year marked the 25th anniversary of Hong Kong's return to the motherland. The momentous changes and megaprojects in and around the city have been well documented, but what of young people who were born in 1997, the year of its return?
The coronavirus pandemic has led to a new set of challenges for the performing arts industry. In a time of social distancing, theaters and artists are finding new ways to engage with audiences and practice their craft.
It takes a warrior to not just win a war, but to organize peace in times of conflict, Greek polymath Aristotle once said.
The new center of a city, in the eyes of most young Chinese, is often marked by its function as a commercial hub, and Beijing Sanlitun is a prime example of this.
Patience and hard work needed to succeed in niche professions, Yu Ran reports.
Jeweler, making a name for herself in Europe, finds her unique craftsmanship is attracting a growing audience, Xu Haoyu reports.
A drama about Zheng Guanying, a Chinese figure in the late Qing Dynasty over a century ago, has been staged at a traditional Guangdong-style residential complex located in central area of China's Macao Special Administrative Region.
A Chinese version of Frankenstein is staged in Beijing, with four actors playing main roles, Cheng Yuezhu reports.