Dozens of figure paintings, spanning from the 16th to the 20th centuries, are on show at the Powerlong Museum in Shanghai.
This spirit of diligence was behind the accomplishments of Li Jiazhen (1917-2008) in oil painting.
The Inner Mongolia autonomous region in North China is a destination of serenity and poetic beauty for many visitors.
The successive reigns of Kangxi, Yongzheng and Qianlong, three powerful emperors of the Qing Dynasty (1644-1911), saw social stability and prosperity.
Tang Ying, the supervisor of imperial ceramic kilns under the reign of Emperor Qianlong of the Qing Dynasty, said it was the burning fire that turned clay into porcelain ware.
In more than five decades as a painter, Dai Ze has been drawing with blurry vision caused by an eye disease.
In his most well-known prose Taohuayuan Ji (Peach Blossom Spring), Tao Yuanming wrote about a place where people live a peaceful, self-sufficient life free from worldly worries.
Exhibits at the show include human statues, jade dragons and eagles, reflecting the aesthetics and lifestyle of the people.
The Capital Museum is showing selected Taoist and Buddhist figure paintings from its collection at The Boundless Universe in Paintings.
The Yanqing Olympic zone, which staged Alpine skiing, bobsleigh, skeleton and luge competitions during the Beijing 2022 Winter Olympics, will be converted into a multi-outdoor-sports hub in three years.
Some 90 years ago, Lu Xun, the noted writer and avid collector of prints, set up a research unit for woodcuts in Shanghai.
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