In his still life paintings, Tong Ziyun likes to lend a uniqueness and distinction to things commonly found in daily life.
Painting Xinjiang, an ongoing exhibition at the Art Museum of the Central Academy of Fine Arts, shines a spotlight on depictions of Xinjiang by different generations of 20th century Chinese artists.
In a letter to her daughter Liang Zaibing, in 1937, architect Lin Huiyin described the hardships during her fourth trip with Liang Sicheng from Beijing to Shanxi province.
Not everyone will be aware of Yves Klein (1928-62), the French artist who, in his short-lived life, pioneered the art movement in Europe after World War II.
Xu Li and Andrey Kovalchuk are presenting an exhibition at Shanghai's New Art Museum, through to July 30.
Homage to 1953, an exhibition at Tsinghua University Art Museum, shows a selection of objects displayed at the 1953 event to review its importance to the evolution of Chinese arts and crafts.
It is a show to connect the past and future of the Yellow River, and to enrich and diversify a unique regional culture that has been thriving along the river.
In his painterly portrayal of landscapes and figures, Yan Zhenduo presents the vividness and vigor of all living things.
Peng Wei is known for her works attempting to bring the tradition of ink-and-water paintings into the narratives of modern life.
The National Museum of China has recently completed upgrading the layout of several of its permanent exhibitions including Ancient Chinese Porcelain.
Dozens of figure paintings, spanning from the 16th to the 20th centuries, are on show at the Powerlong Museum in Shanghai.
This spirit of diligence was behind the accomplishments of Li Jiazhen (1917-2008) in oil painting.
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