A month-long exhibition running from July 23 to August 23 at Prince Kung's Mansion in Beijing will showcase the achievements of a national-level eco-culture protection area in Shandong province, it was announced at a news conference on Saturday.
After the stress of the college entrance exams, millions of graduates are facing an even bigger quandary about which university and academic path to choose next, Fang Aiqing reports.
Youngsters are giving life to a traditional form of embroidery as they bring in fresh perspectives, Xing Wen reports.
A new research center was established at Beijing Foreign Studies University on Monday to promote global studies on Yuanmingyuan, or the Old Summer Palace in Beijing.
Although not as well-known as American Barbie dolls, Shan Xiumei's handmade dolls are popular in China's Northwest Xinjiang Uygur autonomous region.
An exhibition that reflects China's achievements in the protection of intangible cultural heritage opened at the National Library of China in Beijing on July 6 and will run until July 20.
Feng Zuchuan, a national Chai kiln intangible cultural heritage inheritor who used to live in Jingdezhen, Jiangxi province, brought the skill to his hometown - Poyang county, Jiangxi province.
Fifteen years after coming to China, Sony/ATV Music Publishing, the global leader in music publishing, has launched the Sony/ATV Polaris music center inside Beijing's Chaoyang Park.
The northwestern Xinjiang Uygur autonomous region has introduced six special tourism trains and 10 self-drive routes to woo tourists.
The Chinese fashion designer Yang Jie is well known for his works, such as his design for torch relay bearers' clothes for the Olympic Games in Beijing in 2008 and the clothes for the pilots of the Chinese Air Force's August 1st Air Demonstration Team in 2009.
While square dancing and its omnipresent boomboxes entrance huge swathes of the Chinese population, it is an ancient form of movement and music that keeps others preoccupied.
In one room, with tools of various kinds and sizes hanging on the walls, Sui Yiyang stands by a table on which lie two pieces of wood with frames of the musical instrument the guqin that he has been working on for many months. In another room he brushes raw lacquer on the frames of a guqin patiently over and over again.
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