An eye-catching "Gold dragon throne" was unveiled at a hotel in Weifang city, East China's Shandong province, July 28, 2015.
Beijing plans to make its 600-year-old Qianmen Street into a showcase for intangible cultural heritages, a move that will push some popular brands out of the area, the Beijing News reported on Tuesday.
People watch the Chinese traditional textile technology at the opening ceremony of Zhejiang Culture Festival in Izmir, Turkey, July 28, 2015.
The Silk Road International Music Forum was kicked off in Beijing on July 26. Through October this year, opening ceremony, forums and concerts, will be held in Lanzhou, capital city of Gansu province in Northwest China and Dunhuang, a city of Gansu province famous for the Mogao Caves.
APEC costume designer accepts exlusive interview with China Daily, sharing her opinion on the vivification of traditional Chinese clothes.
A crowd-funding activity for Paper culture along the Silk Road, a video series exploring the origin and development of Chinese papermaking technology, has been launched at the Yanjiyou Bookstore in Beijing on July 25, 2015.
Wei Dong is known for his stimulating, erotic images of women. But since 2010, though still painting nudity, his canvas has turned less provocative.
Many of the Forbidden City's mysteries may be revealed, following last week's opening of six new research departments of the academic institute under the world's most-visited museum.
Models present traditional Tibetan costumes during an art festival held in Yushu, Northwest China's Qinghai province, July 25, 2015.
More than 200,000 visitors have been to view the "Van Gogh Alive" exhibition being held in an "Art Castle" erected on Taiping Lake in Shanghai's Xintiandi area, earning it the top position among the cultural exhibitions in Shanghai in 2015.
A daytime visit to the Huaqing Palace in Xi'an, Shaanxi province, is remarkably different from coming here by night, when it turns into a natural stage with Mount Lishan as the backdrop.
A comedienne's lampoon of Mulan, the folk heroine who masquerades as male, has raised questions about cultural propriety and political correctness.
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