Letters Through Time at the 3rd Macao International Comedy Festival brings together unlikely compatriots in an interactive production that blends improvisation with cross-cultural storytelling.
High on a cliff in Lushan county of Pingdingshan city, Central China's Henan province, a small cave is rewriting the story of the region's earliest modern humans.
The tomb of a 9-year-old girl, deeply cherished, leaves an imprint far beyond its years.
In late February, as winter still clung to the mountains of Mabian, an Yi autonomous county in southwestern Sichuan province, Qiaojin Shuangmei carefully packed 15 sets of Yi embroidery for her trip to Beijing.
A Chinese folk song echoed across the stage, its melody carried through the air. Drawn by the rhythm, Brazilian musicians began to dance while Chinese attendees stepped closer to the stage. Within moments, a circle formed, and the crowd swayed together to the same beat.
As dusk falls, Xinghai Bay Bridge in Dalian, Liaoning, lights up like a golden dragon reposing upon the Yellow Sea.
Ma Xin, who teaches Chinese courses in Nanjing, Jiangsu province, visited the Two Mausoleums of the Southern Tang Dynasty (937-975) for the 72nd time during Qingming Festival in early April.
When French writer Eric-Emmanuel Schmitt had just graduated from university with a doctorate in philosophy and started teaching the subject 41 years ago, the 25-year-old had the idea to write a novel that spans the entirety of human history.
Five-colored rice made from a variety of plant extracts, such as maple leaves and lithospermum, sits in a bamboo basket. Rice noodles swim in rich red oil broth. Polychromatic tropical fruits gleam under exhibition lights.
In 1929, a young Chinese student named Xi Fuquan stood before a doctoral examination committee at the Technical University of Berlin, Germany.
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