When Fudan University associate professor Jiang Changjian recited a poem produced by DeepSeek as an impromptu response to history professor Meng Man's remarks about the challenge of teaching in the digital age, Meng couldn't help chuckling.
As lunchtime approaches, Sonam Tashi steps into a Tibetan restaurant in Lhasa, Xizang autonomous region, drawn by the enticing aroma of traditional dishes and a unique performance: a stage play about King Gesar, an ancient hero whose story is widely known on western China's Qinghai-Tibet Plateau.
AS Dalio, a Beijing-born fashion brand founded in 2022, made its debut at Shanghai Fashion Week on Thursday in Xintiandi, lighting up the runway with a real black horse.
Beauty and timelessness, these are what model-actress and director Chang Chunxiao wants to convey through her ongoing Kunqu Opera-themed short documentary project.
With spring arriving in Shanghai and vibrant flowers blooming across the city, the annual Huazhao Festival held in the city's Yuyuan is attracting visitors in traditional Chinese culture in a modern, dynamic way.
Made exclusively for the Northern Song court, Ru Kiln porcelain wares are by far the most celebrated of Chinese ceramics, known for their scarcity and refined beauty.
Fourteen years after the founding of their private Long Museum in Shanghai, Liu Yiqian and his wife Wang Wei decided to present some pieces from their most valued collection to the public.
When Daniela Durdic Dedic, first counselor of the Embassy of Montenegro in China, joined over 80 diplomats from various countries to visit an exhibition on mamianqun, or horse-face skirts, at the Beijing Film Academy, she was captivated by the beauty of traditional Chinese attire.
The room buzzed with excitement, every eye fixed on the door. As Sarah Brightman stepped into the spotlight, the air was filled with the whirl of flashing cameras capturing the arrival of the world-renowned soprano.
How would a son of a great filial piety honor his devoutly Buddhist mother after her passing? Juqu Mengxun (368-433), the second ruler of Northern Liang — a dynasty that partially or entirely controlled the Hexi Corridor between 397 and 439 — answered this by carving Buddhist caves into mountain cliffs, before filling them with statues and covering their walls in sacred art.
Nowhere in the Hexi Corridor does a traveler feel closer to those who came before him than at Yumen Pass. Located about 90 kilometers northwest of Dunhuang, it marks the corridor's westernmost end — a threshold laden with both historical and emotional weight.
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