Silent Tides, a popular television drama revisiting Macao's isolation after Hong Kong fell to Japanese invaders in December 1941, sheds light on a lesser-known chapter of wartime history, according to speakers at a recent symposium in Beijing.
At the Chinese Traditional Culture Museum, a reconstructed open-air theater — modeled on those once seen at temple fairs and villages — has become the stage for a wide range of folk performances from across the country, many of them now preserved as intangible cultural heritage.
The Central Conservatory of Music and the Philadelphia Orchestra collaborated on a landmark performance that highlighted the enduring bond between China and the United States.
As domestic universities enter their winter breaks, student travel has moved into a peak period, with many returning home or heading out on holiday. At the same time, cross-border travel demand has surged, with both outbound and inbound bookings rising significantly, according to a Spring Festival travel trends report released by online travel platform Fliggy.
Original sketches from the widely acclaimed animated short film Nobody are making their public debut at the Yao — Chinese Folktales immersive art exhibition, which opened on Friday at the Edge Plaza in Shanghai's Jing'an district.
At Urumqi's Grand Bazaar, you don't just get a taste of Xinjiang culture — you can step into it, when you walk through the doorway framed by a bite taken out of the Naan House's breadshaped facade.
Baihaba village sits on China's northwesternmost edge, where it occupies overlapping realms of identity, Erik Nilsson reports in Altay, Xinjiang.
Amid the usual sounds of office work, a familiar noise fills the air in a government service hall in Huai'an, Jiangsu province — the gentle whir of coffee grinders and the soft hiss of steam.
"Xinjiang's North Pole" stands at the top of where China's map ends, in the middle of the Altay Mountains, just south of where four countries touch.
A burly tractor rumbles across the vast snowfield, hauling two snaking lines of adventurers. Each is nestled in an inflatable snow tube, all roped together, gliding effortlessly through the howling wind and swirling snow with cries of delight.
Kanas hosts the only three remaining villages inhabited by an ethnic Mongolian subgroup, which some believe are descendants of a legendary treasure guard, Erik Nilsson reports in Altay, Xinjiang.
The exhibition, which runs until March 4, brings together 400 drawings, sketches, paintings and manuscripts that offer a view of Jiang's life, and his concern for ordinary people.
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