Midnight Canteen, a Chinese TV series adapted from the hit Japanese manga with the same title, will debut on Beijing Satellite TV and the video-streaming site v.qq.com on June 12.
Sci-fi fans can expect a visual feast during the upcoming Shanghai International Film Festival.
The man behind the hits Painted Skin: The Resurrection and Mojin: The Lost Legend, ethnic Mongolian director Wuershan recently unveiled his plan to make the Fengshen trilogy.
After fighting evil and saving the world for 75 years in comic books and on screen, Wonder Woman, or the Amazonian princess Diana, has just conquered the largest movie market to Asia.
The first time Britain's Lloyd Belcher met Mira Rai, it was in October 2014 and he was shooting promotional images of Mira, a young woman from a Nepalese village, in Hong Kong.
A film festival about the great outdoors is getting the attention of young sports fans.
In a recent episode of the drama, Qiu Yingying was dumped by her beloved boyfriend ,Ying Qin, a programmer working at an IT company, when he finds out Qiu is not a virgin.
After winning an award at the Houston Worldfest International Film Festival in the United States for sci-fi thriller Reset, Yang Mi was in Beijing to promote the film.
The comedy Lost in Thailand became China's highest-grossing domestic film in 2012, with box office revenue of 1.26 billion yuan ($185 million), but when the movie hit the big screens in North America the next year, it flopped, making a mere $60,000.
The animated-film sector is finding new avenues to expand globally, as the recently concluded MIP China Hangzhou International Content Summit shows.
Former martial arts champion-turned director Jiao Xiaoyu says that all the action scenes in his latest TV series are real.
More and more Africans are falling in love with Chinese TV series and movies, as an increasing number of them are dubbed for broadcast into English, French, Swahili and Hausa.
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