Ancient alchemy of earth and fire

The objects embody a principle that Liu Jude, a professor at Tsinghua University's Academy of Arts and Design, describes as the idea that "the work of the universe is accomplished by human beings on its behalf".

A Neolithic pottery bowl on display possesses an unpretentious beauty. Its painted designs reflect the distinctive visual language of the Majiayao culture, which flourished in the upper reaches of the Yellow River. Patterns resembling nets and ripples may have been associated with hunting and fishing, while the bowl's balanced form and two handles lend it a pleasing geometric harmony.

Over the centuries, technical innovation and aesthetic refinement advanced hand in hand. Porcelain makers explored both restrained decoration and elaborate combinations of motifs and colors, leaving behind an extraordinary range of forms. Visitors drawn to the understated elegance of Song Dynasty ceramics will find monochromatic wares whose subtle designs reward close attention. Those who prefer greater visual exuberance can admire the variety of forms and hues associated with the Qing Dynasty (1644-1911). Among the highlights are a famille rose cup shaped like a blooming lotus and a bowl decorated on its exterior with white interlocking flowers and leaves against a red ground.