China Media Museum of Communication University of China is the first national-level museum of the media industry in China. This exhibition effectively combines historical and cultural artifacts of media education and the media industry, in order to tell the full story of the development and achievements of these areas in China.
This permanent exhibition is spread throughout the functional areas of the museum, including: the demonstration area for the protection, display and utilization of major national historical sites; the research and exhibition center of the formation and development of early states; and the research and display base for Xia-Shang-Zhou Chronology Project and the Project for Tracing Chinese Civilization Origins.
Based on the stories of two soldiers in Qin Kingdom’s army recorded on unearthed wood slips, the exhibition was divided into three parts, elaborating on how Qin successfully turned itself from an insignificant state located near China’s western border into a unified empire and how the political regime it built contributed to the progress of Chinese civilization.
The permanent exhibitions of the Zhejiang Museum of Natural History, Anji Branch, present guests with an international vision of natural resources. The exhibitions are curated with specimens and fossils not only discovered in local Zhejiang province but from the entire country and across the globe.
Organized by Suzhou Museum and curated by Wu Hung, an art history professor with the University of Chicago, the exhibition was China’s first large display of painted screens.
Chosen by Emperor Kangxi (r. 1662-1722) of the Qing Dynasty(1644-1911) as the location of his summer resort, Chengde, a city in North China’s Hebei province, was a place converging the various ethnic groups of Manchu, Hui, Mongolian and Han, and an intersection of farming and nomadic civilizations.
Guizhou, a multi-ethnic province, is home to Miao, Bouyei, Dong, Sui, and Yi ethnic groups. The collection of the Guizhou Provincial Museum reflects this unique characteristic.
Panlongcheng site, located in today’s Wuhan, capital of Hubei province, is ancient city relic that dates to the early Shang Dynasty (c.16th century-11th century BC). It was a Bronze Age cultural center along the Yangtze River and the origin of Wuhan city itself.
Of all China's cultural icons, ceramics has had the most profound and extensive global influence. Jingdezhen, a city in East China's Jiangxi province, is the pride of the Chinese ceramics industry.
Centering on the 130-year history of Chongqing's industry, this exhibition not only chronicles the developments made since Chongqing opened its port to foreigners, but also the tremendous contributions by Chongqing’s industry during the War of Resistance Against Japanese Aggression (1931-45), the national economic recovery, the urbanization of Chongqing, and the great rejuvenation of the Chinese nation.
A journalist takes photos of the exhibits during a special exhibition with a selection of cultural relics dating from the Spring and Autumn Period (770-476 BC) to the Qin and Han Dynasty (221 BC-220 AD) at the Nanjing Museum in Nanjing, East China's Jiangsu province, May 17, 2020. The special exhibi
A new museum dedicated to the history of Chinese people in Australia will open soon in the heart of Sydney, exploring and preserving the two countries' centuries-old shared past.
Presented by Chinaculture Registration Number: 京ICP备13028878号-4
Copyright © Ministry of Culture and Tourism, P.R.China. All rights reserved
Presented by Chinaculture Registration Number: 京ICP备13028878号-4
Copyright © Ministry of Culture and Tourism, P.R.China. All rights reserved
京公网安备 11010502035176号