Yuncheng in southwestern Shanxi to host thousands of people in tribute to heroic deity Guan Gong
From building signs featuring roaring dinosaurs to market stalls adorned with prehistoric pals, Jiayin in Heilongjiang province lives and breathes the legacy of the creatures that roamed the Earth millions of years ago.
A series of cultural events showcasing northern China's Inner Mongolia autonomous region kicked off in Ulaanbaatar, the capital of Mongolia.
Robots play drums and dance, brew coffee, turning an industry expo into a stage where artificial intelligence and heritage converge, Xu Lin reports in Wuhan.
New dance production, premiering in November, presents the story of one of China's greatest continuing influencers in the translation of scriptures from Sanskrit to Chinese, Zhang Kun reports.
Where the city's arteries interweave amid light and shadow and colorful illuminations glow through art, Shanghai, the iconic city that never sleeps, will don a fresh nocturnal hue in the upcoming month.
At the seventh Silk Road (Dunhuang) International Cultural Expo, Gansu province revealed a restored version of Cave 57 from the Mogao Grottoes, brought to life through advanced three-dimensional reconstruction technology.
The Silk Road (Dunhuang) International Cultural Expo a key vehicle for Gansu province to promote Chinese treasures
When AI meets the Dunhuang murals, the legendary Nine-Colored Deer awakens from the ancient caves, stepping into the modern world on a stream of light. This timeless legend transcends the ages, resonating with today's era.
The Sound of the Heart in the Fingers: A Concert of Yushan Wu School Guqin Music took place at Beijing Concert Hall on Sept 13, under the artistic direction of renowned guqin (Chinese seven-stringed zither) master Wu Wenguang.
Chinese play Two Capitals, Fifteen Days was staged at the Hangzhou Grand Theatre on Sept 16 as part of the ongoing 19th China Theatre Festival.
Zao Wou-ki, one of the most internationally-acclaimed Chinese artists of the 20th century, once said that he wanted to paint things that "can't be seen" — the "qi" (energy) of life, wind, motion, the "forms of life", and the presentation and merging of colors.
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