The Legend of the White Snake, an original ballet production by Guangzhou Ballet, will premiere in Beijing's Tianqiao Performing Arts Center in August.
The Cat God in the Forbidden City, an original children's play directed by Liu Xiaoyi, premiered at Tianqiao Performing Arts Centre in Beijing with 10 sold-out shows during the Dragon Boat Festival, from Thursday to Saturday.
The release of Children's BRI Stories, a full-color picture book that interprets the essence of the Belt and Road Initiative for youngsters, was held on June 16.
Starting as a staff member at a county-level culture center in his home province of Hebei, Liu Kun (1959-2017) endeavored in the realm of ink art for decades, before becoming a prominent painter and a resident artist of the China National Academy of Painting.
A series of books covering the past decade's development of Shenzhen, the first special economic zone and tech hub of China, was launched in Beijing on June 20, followed by a session gathering experts and scholars to discuss the city's modernization.
Last year, artist Jason Allen took first place in the digital category of the Colorado State Fair's annual art competition with his painting Theatre d'Opera Spatial.
The Gateway to Arts summer festival will be launched by the Forbidden City Concert Hall in Beijing.
A gala, featuring artists from the Chinese mainland and Macao Special Administrative Region, was staged at the Macao Cultural Centre on June 20, kicking off the annual event, titled Spring of Haojiang River, which runs until Friday.
A biographical film about Shen Jilan, the late recipient of the Medal of the Republic and China's longest-serving national lawmaker, premiered in Beijing on Sunday, and will be officially released in domestic theaters on Wednesday.
Delicate strokes, carved onto wood, with ultimate precision. This is woodblock printing, an ancient printing technique that propelled human civilization.
When he was 5 years old, Natan Colombo's parents took him to a Chinese restaurant, a rarity in his home city of Milan, Italy, at the time. He never imagined that experience would herald a future bond with China.
The just concluded Dragon Boat Festival – which has cemented itself as a lucrative box office season in recent years – raked in a whooping 909 million yuan ($126.6 million), propelling it to become the second highest-grossing period of all time, only slightly lower than the 2018 figure of 912 million yuan, according to China Film Administration, the country's top sector regulator.
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