The graduation ceremony for the 2022 training class of the Beijing People's Art Theatre unfolded in the heart of the capital on April 17, marking a significant milestone for seven aspiring performers as they received their well-earned graduation certificates.
The Beijing People's Art Theatre unveiled its latest Chinese adaptation of The Miser on April 19, captivating audiences with shows scheduled to run until May 12.
On April 17, the acclaimed Chinese dance drama, Poetic Dance: The Journey of a Legendary Landscape Painting, marked its 500th performance since its premiere in 2021 with a captivating presentation in Shanghai.
Beijing is set to host the renowned Strawberry Music Festival, one of the country's largest outdoor music extravaganzas, from May 2 to 4, coinciding with the upcoming May Day holiday.
At the 14th Beijing International Film Festival on April 20, a significant initiative aimed at revitalizing the iconic genre of kung fu films, which once captivated audiences globally, was officially launched. This genre, synonymous with legends such as Bruce Lee and Jackie Chan, holds a pivotal place in Chinese cinema and achieved widespread popularity in the West through blockbuster hits.
The 31st College Film Festival, a significant component of the Beijing International Film Festival, commenced on Saturday at the Beijing Time Museum in the capital city's Dongcheng district, marking a celebration of young talent and creativity in the realm of cinema.
After two decades since its original release, the beloved animated masterpiece Howl's Moving Castle by iconic Japanese animator Hayao Miyazaki will make its debut in domestic theaters across the Chinese mainland on April 30, marking its first-ever screening in the region.
US artist Jeff Koons says that childhood is where people accept and appreciate things as they are. His Celebration series of sculptures brings to the viewers the pure pleasure and playfulness as that of childhood.
Before performing his new piece "Ancient Bells of Peking's Central Axis" in Beijing earlier this month, world-renowned composer and conductor Tan Dun sat down for an exclusive talk with China Daily online show Spotlight.
Five years ago in a quaint village in Guizhou province's Yandong township, a troupe comprising musicians of the Dong ethnic group stood on a covered bridge, singing out their iconic Grand Songs dedicated to the greatness of nature.
At the beginning of 2020, Chen Jianxing experienced an unforgettable month with a hedgehog. When COVID-19 was spreading in Africa, he could not buy a plane ticket home and was stuck in a scarcely visited Serengeti National Park in Tanzania, where he formerly worked, and didn't know where to go.
In the public imagination of the Chinese, the words Sanxingdui (Three Star Mounds) are the equivalent of a myth: What they see in exhibitions focusing on this major Bronze Age civilization, including a current one at the newly opened Shanghai Museum East, doesn't seem to align very well with their previous experiences.
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