Working with the renowned Dusseldorf Symphony Orchestra and Hungarian conductor Adam Fischer both for the first time, Chinese pianist Lang Lang made his debut with an incomparable outdoor concert on Saturday at the Chenshan Grassland Music Festival in Shanghai.
The Shanghai Museum announced a series of upcoming projects for its ongoing exhibition On Top of the Pyramid: The Civilization of Ancient Egypt, which is scheduled to conclude in 100 days.
The final competition of the 10th Chinese Theater Award - Plum Blossom Performance Award kicked off at Shanghai Grand Theatre, and 17 actors from 11 different types of traditional Chinese folk operas, as well as drama and dance theater shows, are holding performances in the city from May 8 to 18. A total of 15 winners will be selected and announced at the closing ceremony on May 21.
The Beijing Symphony Orchestra held two concerts at the Shanghai Opera House on May 7 and 8, as part of the National Invitational Showcase of Leading Orchestras, co-organized by the Shanghai Musician Association.
On Sunday, in celebration of Mother's Day, the Zhejiang Song and Dance Theater released the song Mom's Peachwood Comb, performed by young soprano Huang Shuang. With its heartfelt melody and sincere emotions, the piece pays tribute to mothers who have selflessly raised their daughters.
Once a traditional rural craft, the handwoven carpet weaving technique of Yangxin county in Binzhou city, Shandong province, is experiencing a vibrant revival. Blending cultural heritage with modern innovation, the craft has been revitalized through dedicated preservation efforts and has become a symbol of both artistic tradition and rural revitalization.
TAIYUAN — Wu Hongbo, a visitor from Dalian, Liaoning province, recently used artificial intelligence to plan a detailed tour of Shanxi, a province in northern China known for its cultural heritage.
For fans of the blockbuster action role-playing game Black Myth: Wukong, its mythical landscapes, intricate props, and larger-than-life characters have long been familiar, albeit only through a screen. Now, visitors can step into that mythology, literally, until May 21.
The number of Russian travelers visiting China has not only rebounded from pandemic-era lows but has fundamentally transformed, with tourists increasingly trading organized tours for immersive cultural experiences.
At dawn one April day, the summit of the Huangshan Mountain was a world adrift in a swirling sea of clouds and majestic pine trees dotted atop its jagged peaks, as French photographer Nicolas Cornet quickly took photos of the breathtaking scene.
That night at Peking University's sports complex felt almost otherworldly. As I settled into my seat in the makeshift cinema hall, a big screen lit up, revealing the visuals of A Tapestry of a Legendary Land.
As the film ended, and the lights gradually came on, Ababacar Niang, a Senegalese businessman, could hardly contain his excitement after watching his transnational journey to Yiwu city, East China's Zhejiang province, unfold on the big screen.
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