An ongoing art show in Beijing sheds light on the importance of human emotions in our tech era.
An exhibition of hundreds of paintings and sculptures shows how one province shaped Chinese art since the early 20th century.
With giant banyan trees shading its graceful European mansions, Gulangyu looks like a Mediterranean island in the South China Sea.
The advancement of digital technology has not only helped expand artistic creativity but also enriched the experience of museum visits.
The late painter Guan Shanyue led his peers at the Lingnan School of Painting, formed in the early 20th-century in the southern city of Guangzhou, to revolutionize the classic Chinese mountain-and-water paintings. Guan also donated some 800 of his paintings to build an art museum named after him in Shenzhen in 1997.
After a successful debut in Shanghai, The Divine Michelangelo Art Exhibition, opens to the public in Beijing on July 15.
In 1988, dancer-choreographer Ku Ming-shen, then a teacher at the Chinese Culture University in Taiwan, visited the University of Illinois in the United States.
For thousands of years, thangka paintings-a traditional Tibetan Buddhist art-have been placed at temples.
A contemporary art exhibition in Beijing shows the works of some 40 artists and provides clues to future trends.
Around 80 years ago, Chongqing provided a temporary shelter for people from northern and eastern China who had escaped the Japanese invasion. Among them was Zong Qixiang (1917-99), then an art student at the Central University.
Chinese artists have sought to blend a Chinese temperament into their oil paintings since the genre arrived in the country a century ago.