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In these works, Tai presents an academic depth that he accumulated through continuous studies of Song Dynasty (960-1279) masterpieces. "When I encounter obstacles while creating, I always turn to the Song predecessors for answers. They are my art professors," he says.

He also incorporates his understandings of the latest scientific discoveries of the universe - for example, his impressions of meteors and astronomical images.

He says new discoveries about the cosmos and the remaining secrets of the universe should be blended into ink artists' creations, because Chinese ink art has long essentially been an expression of how people view the world and deal with it properly.

Tai says his early worldview was formed in the spacious and extensive environment of Yinchuan, capital of the Ningxia Hui autonomous region, where he grew up.

Yinchuan sits on the banks of the Yellow River. Tai says it took him only 20 minutes to reach the river bank by bicycle, and he often played in the nearby Tenggeli and Maowusu deserts that surround Yinchuan.

"The wilderness makes people feel closer to nature. Meanwhile, we understand that we are a part of nature and the universe, and we keep gaining power from them," he says.

He says the discussion of the relationship between people and the world is not exclusive to Chinese cultural traditions but a universal topic. He says that when he creates based on people's renewed understandings of the universe, he feels that his works can be appreciated by more viewers.

"Artists present the most beautiful images to express their awe for nature, the creator of human beings. When he maintains the same respect, his art can resonate with more people."