Uncertain Fate

After passing the evaluation, Hu Qingxue was conferred the title in 2012 of successor to the national intangible cultural heritage. Though still in his prime, he already worries about his successors.

This concern is not groundless. Normally a Jing Music band consists of at least nine players, now downsized to five. “I took on a few students, who all quit later. One of them, a flute player, had the gift, but still failed to persevere.” The reason? Hu shook his head, “Money. In this vocation one cannot earn enough to support a family. A full year’s performances at the temple cannot even generate enough to buy a nice mobile phone.”

In fact, the chilly financial prospects are the leading obstacle to the continuation of many intangible cultural heritages.

“The Jing Music of Zhihua Temple is different from other forms of ancient music in that it was part of religious rituals, such as those guiding the dead to another life. Such customs have long perished, as have the real life needs for the music,” Hu said. “Besides, befitting its original function, Jing Music is solemn and elusive, and does not appeal to many present-day audiences.”

It was time for another performance at the temple when our interview concluded. Hu and his band changed into their costumes and took the stage, in front of a one-person audience. They looked unruffled as they bent over their instruments, as if this scene is the norm.

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