Ⅱ.Changing Faces

One of the most fascinating, artistic charms of Sichuan Opera is "face-changing", which is achieved by quickly tearing off, rubbing, or blowing away a mask to reveal another.

The performer prepares many special masks in advance made of gauze and elastic materials, such as sheep embryo membranes and rubber. After the masks are painted with different designs and assembled with a special transparent thread, they are pasted onto the performer's face.

The special masks for "changing faces" must be made to fit the performer's face to ensure that they are pasted as close as possible to the skin. Previously, the masks were discarded after a performance, but today they can be recycled with some minor repairs.

Ⅲ. Music of Sichuan Opera

Musically, Sichuan Opera combines five different sonic systems, namely, gao qiang hu qin, deng diao, tan xi and kun qu -- all of which were still represented by their own independent troupes respectively until the end of the Qing Dynasty (1644-1911).

Founded in the province's capital city of Chengdu in 1912, the Sanqinghui troupe officially combined all five of these systems and fused them into a unique system of acting, singing and instrumental music, where all of the librettos were written in the Sichuan dialect. The best-known style with most distinct characteristics of southwestern China is called gao qiang, which is distinguished by solos that are usually accompanied by sparse rhythmical accentuations played with wooden clappers.

This highly ornamental vocal style is distinguished by brilliantly artful glissando links, skillfully implemented vibrato embellishments around a single tone in the form of a delicately elegant yet energetically melodic ornamentation. The simplicity of the folk songs' melodic structures is often retained.

In addition, an orchestra chorus either comments on or repeats what has already been sung. The chorus can also be represented by a solo. In the past, members of the chorus also often doubled as percussionists and, like the percussionists, were clad in everyday garments and appeared in full view on stage. Nowadays, they perform in the orchestral area, which is situated along one side of the stage and is concealed from the audience.