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Thangka art masters gather at 798

2013-08-09 15:00:53

(Shanghai Daily)


Tibetan Buddhism is a distinct and prosperous offshoot of the Buddhist religion. It profoundly impacted the unique culture of the Tibetan Plateau. To people who are interested in understanding the religious culture of this region, an introduction to Thangka is a must. This painting style is the most representative art of Tibetan Buddhism.

People in Beijing got a chance to get close to this culture and receive a visual feast this week. An exhibition of works by Thangka art masters from Qinghai Regong was held at Beijing Himalaya Art Gallery in the 798 art district on August 4.

This exhibition brought together Thangka paintings that represent the highest level of art from Regong. The works came from national-level masters of arts and crafts, Niangben, Douga, Xihedao and Gengdengdaji, and representative inheritors of the intangible cultural heritage - the Regong Art, Luozangdanba, Emacaidan and Xiawujiao.

About 40 Thangka paintings that cover various styles including colorful ones and golden ones were presented in this exhibition. Among them were the 4.3-meter-long The 8 Forms of Padmasambhava painted by Niangben, and the 2.3-meter-long Sakyamuni Buddha and Eighteen Arhats painted by Douga.

Seven Thangka masters came all the way from Huangnanzhou, Qinghai Province, to 798 art district in Beijing, bringing the most representative visual arts of Tibetan Buddhism to this landmark of Chinese contemporary art.

Besides the paintings, the atmosphere in the Himalaya Art Gallery also left a unique impression those who attended. The fist digital mandala was presented during the exhibition, and it displayed the process of a lotus first blooming and eventually dying away. With Buddhist music played live by Ma Changsheng, a guqin (seven-string Chinese zither) performer and Buddhist music artist, attendees were bathed in a Zen-like atmosphere.

The exhibitions of traditional and religious culture were injected with new vitality. The curator from Himalaya, Wang Xiang, used lighting effects, voice-over and background music - methods usually reserved for stage performances - to present the exhibition.

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