But Lin's later paintings are "apparently more Oriental than his earlier works and more strongly reflect his inner world," said Chinese art historian Shao Dazhen, adding that "his artwork, wrought with forceful lines, bright colors, and well-crafted compositions, carries a soul-stirring power".

Lin is widely considered a relentless innovator who has pushed forward the Nanyang Painting School, which focuses on depicting Southeastern Asian landscapes.

However, Lin says: "I see myself a global artist who pays attention to issues that concern all mankind."

This is evident in his 99 ink paintings on show at the National Art Museum in Beijing.

While most works deal with idyllic subjects, such as rural landscapes, farmers and fishermen at work, some others deal with such solemn issues as the aftermath of financial crisis and industrial pollution as well as those displaced by wars and natural disasters.

"The exhibition gives me a rare chance to summarize a 50-year artistic career. But certainly, I will move further in artistic endeavors in the coming decades," Lin said.

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