Sacrificial Music
There are descriptions for folk sacrificial scenes of dancing and singing in "Donghuang taiyi" and "Dongjun" of Jiuge byQu Yuan(a great ancient Chinese poet). For a long time, people like to highlight ethnic and tribal cultures with ritual music so as to achieve the effect of mystery and shock. Inner Mongolia Volume and Heilongjiang Volume include Shamanist sacrificial music, which reflect the characteristics of local sacrificial music cultures of Mongolia ethnic group, Dawoer ethnic group, Ewenke ethnic group, Elunchun ethnic group and Hezhe ethnic group. Hunan Volume and Guizhou Volume also include music for sacrificial ritual and religious ceremonies, which reflect the local customs of communication between man and god, and the customs of making sacrifice to spirits. Shandong Volume, Beijing Volume and Hunan Volume include some numbers of music for sacrifice toConfucius, which reflect the fact that Chinese people of different times have placed a stress on Confucian culture.
Religious music
The collection includes a lot of music numbers ofBuddhism, Taoism and Islam, from which we can know their basic styles, for there is rich cultural information in the three religions.
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