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Ouyang Xun
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Jiuchenggong Liquan
Ming | Ouyang Xun (557-641), also named Ouyang
Xinben, was a native of today's Changsha
of Middle China's Hunan
Province. Ouyang Xun's calligraphy,
largely kaishu
(regular
script), was known for its rigorous and grand strokes as well as its unique
order and structure, and was called "Ou Style" by later generations. His kaishu
works include Jiuchenggong Liquan Ming, and the most famous kingship
works are Mengdian Tie and Zhanghan Tie. Besides being an expert in kasha and
kingship, Ouyang also wrote excellent lishu
(official
script).
Several of his kasha works were seen as the best of the Tang
Dynasty. As the later generations found out, his kaishu had a certain order
or formula in both its strokes and structure, which was easy for a novice to
learn.
As early as in the Sui
Dynasty, Ouyang's calligraphy was widely known, and by the Tang Dynasty, as
both the man and his calligraphy got older, had attained a high degree of
perfection. However, Ouyang was not content with the achievements and continued
practicing.
One day, during an outing with his friends, Ouyang came upon a stele
inscribed by Suo Jing (a famous calligrapher of the Jin Dynasty), and felt the
inscription was really mediocre after several look at it. However, upon second
thought, he believed there must be something outstanding about the stele, since
Suo was hailed as a great calligrapher. With this idea in mind, He stood for a
long while in front of the stele, had a careful look into it and discovered the
sparkling points about it. He went on to explore the stele for another three
days, and finally realized the secret of using a writing
brush, hence further perfecting his calligraphy.
Author: Jessie
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