Buddhist Art at Dunhuang
The Dunhuang Grottoes are both a rare national treasure
of China as well as a unique cultural heritage of all humankind. They stand out
among art treasures of the world by virtue of their colossal size, long history
and remarkable level of preservation, kaleidoscopic richness and variety in
content, and consummate skills of the artists.
Since Dunhuang was the hub of cultural exchanges between China and the West
along the Silk
Road , the Dunhuang caves possess a special geographical and cultural
significance. Dunhuang art is inevitably a result of a blend of multitudinous
elements and styles, which retains China's cultural and art systems.
Brief History
Dunhuang, a small town at the edge of the Gobi Desert,
is located in Gansu
Province , which became the gateway to the Silk Road during the Han
Dynasty (206BC-AD220). The Silk Road not only brought Dunhuang commercial
prosperity but also the development of Buddhist art during the Northern
Wei Dynasty (386-533).
Legend has it that a monk named Yue Zun dug the first cave and also carved a
Buddha statue into the sandstone cliff of Mingsha Mountain where the famous
Mogao Grottoes are now located -- about 25 kilometers southeast of Dunhuang.
Over 1,000 caves were carved out of cliffs between the fourth and 14th
centuries. Dunhuang art began to decline in the 12th century and was ignored
until the early years of the 20th century. Today, there are 492 caves remaining
in the 1,600-meter-long cliff. The Mogao Grottoes are some of the best-preserved
and most extensive collections of Buddhist paintings and sculptures in the
world.
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