Caoshu (cursive hand) is characterized by sketchy, simplified forms of
characters, often distorted or exaggerated to achieve an internal rhythmic
appearance within the compositions of characters. In theory, any character can
be written in the style of Caoshu, for instance many course characters
appeared in inscriptions on bronze wares. However, Caoshu in literature
refers to a specific style developed from Qin Li (official script in the
Qin Dynasty), formed around the Western Han Dynasty (206BC-8AD) and prevalent in
the Eastern Han Dynasty (25-220).
|
"Gushi Tie" by Zhang Xu |
Historical
records show that Caoshu came into being in the pre-Qin period due to the
fact that the fierce competition among various states made them often keep alert
of any move of other states, which put a high demand on the communication
|
"Zixu Tie" by Huai Su |
Caoshu in
the early period retained much feature of Lishu and was called
Zhangcao (a coarse style formed by breaking up the forms of
Lishu). From the Eastern Han Dynasty (25-220) to the Wei (220-265) and
Jin (265-420) dynasties, Caoshu got rid of the trace of Lishu
strokes, and employed a large number of running strokes, and was called
Jincao (the modern cursive hand). By the Tang Dynasty (618-907),
Caoshu developed further, was written in a lively and vigorous way and
was called Kuangcao (crazy cursive hand).
Because Caoshu uses lots of running
strokes and only has the outline of the characters, it is illegible to most
readers and affects its function of communication. Therefore, though
Caoshu came into being comparatively early, it didn't
become in written form within a state, while Zhuanshu (seal script) and
Lishu (official script) could not be written hastily, hence
Caoshu emerged. one of the
calligraphies in general use. However, it has been always loved by many people.
Famous Caoshu calligraphers include Zhang Zhi, Zhang Xu, Huai Su and so
on.