![](../../../../img/2003-09/24/wenzi20_01.jpg) |
Preface to the Orchid Pavilion Collection by Wang Xizhi
[reproduced by Chu Suiliang] |
Xingshu (running
hand or semi-cursive script) was something between Lishu (the regular
script) and Caoshu (the cursive scripts) in the initial period and now is
between Kaishu (the standard script) and Caoshu. No matter which
type, when carefully written with distinguishable strokes, the Xingshu
characters will be very close to the regular style; when swiftly executed, they
will approach the Caoshu. Chinese masters have always compared with vivid
aptness the three styles of writing -- Kaishu, Xingshu and Caoshu
-- to people standing, walking and running.
Xingshu is a
writing style looser than regular style. This style was created by Liu Desheng
in the reigns of Emperors Huan and Ling of the Han Dynasty (206BC-220AD). At the
very beginning, it was called Xingya, and later on became an independent
form.
Xingshu is
considered more abstract and artistic. Writing Xingshu characters is done
more quickly than Kaishu but executed with no less care. Xingshu is not as messy as Caoshu,
nor as neat as Kaishu. In general, it is convenient and highly practical
for writing.
Masterpieces of Xingshu include
Preface to the Orchid Pavilion Collection by Wang Xizhi, which was
reputed as No.1 Xingshu Work. Unfortunately, the original was not handed
down, and the one we see today is only a copy of the original work. Due to the
high level of the copier, the copy retains the beautiful, neat style.
Famous Xingshu calligraphers included
Cai Xiang, Su Dongpo, Huang Tingjian and Mi Fu in the Song Dynasty (960-1279),
who were called Four Masters of the Song Dynasty. In the Ming (1368-1644)) and
Qing (1644-1911) dynasties and modern times, many calligraphers good at
Xingshu came into being.