Qingming Festival by the Riverside
A famous ancient painting in China, The Qingming
Festival by the Riverside , is a long, painted scroll 528 cm long and 24.8
cm wide, which portrays street scenes of Bianjing (today's Kaifeng City, Henan
Province), the capital of the Northern Song Dynasty (960-1127).
The work was created by Zhang Zeduan, a native of Shandong Province who
studied painting in his early years in Bianjing. Later, Zhang became a painter
for the Imperial Painting Academy of the Northern Song Dynasty. Although there
aren't many historical records about Zhang, his name is remembered simply due to
this masterpiece.
The oeuvre depicts the noisy streets of Bianjing during the Qingming Festival
-- a festival for mourning ancestors -- at a time when the custom of going to
street fairs was very popular. The painting features magnificent and complex
scenes with a rigorous structure, which can be divided into three parts: scenes
of the suburbs, Bian River and city streets.
In the suburban scene, farmers are working in the fields and wealthy people
are returning from mourning. The street is crowded with people on horseback,
wheel carts and sedan chairs.
The scene of the Bian River is the most magnificent:
The arched bridge stands like a rainbow over the river with streams of people
bustling about. Under the bridge are many boats competing for the right of way.
Some interesting scenes are presented in great detail. For instance, a horse has
shied on the bridge, scaring a donkey and attracting many onlookers.
The importance of Bianjing as the political, economic and cultural center of
the Northern Song Dynasty in the empire is fully depicted in the painting's city
street scene. The streets are lined with government mansions, residential
courtyards, workshops, teahouses and grocery stores. Various wagons and people
from all walks of life can be seen in the picture, conveying an exciting and
bustling atmosphere. The scenes in the picture are carefully arranged, forming
an interesting contrast and good sense of rhythm. The depiction of the
architecture, merchants and transportation in Bianjing vividly reflects the
economic boom of the Northern Song Dynasty.
There are over 550 human figures, some 60 animals, 20 wooden boats, 30 rooms
and pavilions, and about 20 vehicles of various kinds in The Qingming
Festival by the Riverside . Few ancient paintings contain such an abundance
of rich contents. Furthermore, every figure and detailed scene is arranged
strategically, creating chaos that appears to have some order to it. All such
elements reveal the painter's careful observation of life and his supreme
painting skills.
The Qingming Festival by the Riverside is a great and rare realistic
painting that provides a vivid visual depiction of business, handicrafts,
architecture and transport in the big metropolis of the Northern Song.
The piece is covered with innumerable signatures and seals, indicating that
it has been in the hands of many private and official collectors. The painting
survived many calamities and transitions, and was handed down by some collectors
who sacrificed their lives to preserve this treasure.
A famous ancient painting in China, The Qingming
Festival by the Riverside , is a long, painted scroll 528 cm long and 24.8
cm wide, which portrays street scenes of Bianjing (today's Kaifeng City, Henan
Province), the capital of the Northern Song Dynasty (960-1127).
The work was created by Zhang Zeduan, a native of Shandong Province who
studied painting in his early years in Bianjing. Later, Zhang became a painter
for the Imperial Painting Academy of the Northern Song Dynasty. Although there
aren't many historical records about Zhang, his name is remembered simply due to
this masterpiece.
The oeuvre depicts the noisy streets of Bianjing during the Qingming Festival
-- a festival for mourning ancestors -- at a time when the custom of going to
street fairs was very popular. The painting features magnificent and complex
scenes with a rigorous structure, which can be divided into three parts: scenes
of the suburbs, Bian River and city streets.
In the suburban scene, farmers are working in the fields and wealthy people
are returning from mourning. The street is crowded with people on horseback,
wheel carts and sedan chairs.
The scene of the Bian River is the most magnificent:
The arched bridge stands like a rainbow over the river with streams of people
bustling about. Under the bridge are many boats competing for the right of way.
Some interesting scenes are presented in great detail. For instance, a horse has
shied on the bridge, scaring a donkey and attracting many onlookers.
The importance of Bianjing as the political, economic and cultural center of
the Northern Song Dynasty in the empire is fully depicted in the painting's city
street scene. The streets are lined with government mansions, residential
courtyards, workshops, teahouses and grocery stores. Various wagons and people
from all walks of life can be seen in the picture, conveying an exciting and
bustling atmosphere. The scenes in the picture are carefully arranged, forming
an interesting contrast and good sense of rhythm. The depiction of the
architecture, merchants and transportation in Bianjing vividly reflects the
economic boom of the Northern Song Dynasty.
There are over 550 human figures, some 60 animals, 20 wooden boats, 30 rooms
and pavilions, and about 20 vehicles of various kinds in The Qingming
Festival by the Riverside . Few ancient paintings contain such an abundance
of rich contents. Furthermore, every figure and detailed scene is arranged
strategically, creating chaos that appears to have some order to it. All such
elements reveal the painter's careful observation of life and his supreme
painting skills.
The Qingming Festival by the Riverside is a great and rare realistic
painting that provides a vivid visual depiction of business, handicrafts,
architecture and transport in the big metropolis of the Northern Song.
The piece is covered with innumerable signatures and seals, indicating that
it has been in the hands of many private and official collectors. The painting
survived many calamities and transitions, and was handed down by some collectors
who sacrificed their lives to preserve this treasure.
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