Whether in concept or in model,
Lamaist pagodas are quite different from the traditional Buddhist pagodas whose
main composition elements are based on Han-styled towers already common in the
central plain for nearly 2,000 years. Lamaist pagodas consist roughly of three
types, i.e., bottle-type pagoda, diamond pagoda and cross-street pagoda.
The bottle-type pagodas mostly look like
bottles, and are said to be modeled on a clean bottle for storing water, but, in
fact, originated from India's
stupa. The extant earliest Lamaist pagoda of China is the White Pagoda of Miaoying
Monastery in the capital of the Yuan Dynasty (1271-1368), housed in the Miaoying
Monastery (present-day White Pagoda Monastery in Fuchengmen of Beijing). It is
the most outstanding representative of the bottle-type Lamaist pagodas.
Built in the 8th year (1271) in the reign of
Yuan Emperor Shizu, this bottle-shaped pagoda was the work of Nepalese artisan
Ahnigethe Miaoying. This magnificent monastery is 51 meters high and is divided
into three sections. The lower section is a three-storied pedestal, while the
planes are all polygonal angle cross. The middle section is the pagoda body --
round, solid, thick and strong. Below the pagoda body there is a very big
covered lotus seating, and several layer lines. At first, the pagoda body was
carved with such unique Tibetan Buddhist pictures as single pestles, pearls,
lotus, and cross pestles, and wrapped in pearl nets and tassels. But, none of
these now exist.
On the upper section is seated the polygonal
angle cross Sumeru pedestal. Further up is a huge, solid, 13-layer wheel, with
each layer becoming evidently smaller than the other, called "13 heavens", which
Supports the pagoda roof. The pagoda roof is placed on a huge bronze treasure
cover 9.9 meters in diameter arranged with a 5-meter high bronze Lamaist Pagoda.
Pierced copper plates and copper bells hang down around the treasure cover.
The White Pagoda is all laid up with stones
except for the pagoda top which is built with copper. Its exterior is stuck with
bricks and plastered with lime. It is as bright and clean as jade, and therefore
is called a "Jade pagoda". The copper pagoda roof is of golden color; the
contrast between golden and white creates a noble, holy and clean atmosphere.
The whole pagoda is even and sturdy, vigorous and broad in momentum and is
well-coordinated with the boldness of the capital of the Yuan Dynasty.
The Diamond Pagoda is of a group
pagoda combination method, composed of a large pagoda at the center and a small
pagoda on each side of the four corners. The various pagodas are either of a
bottle type or of a Han type. According to Tibetan Buddhism, the Diamond Pagoda
symbolizes the five Buddhas of vajradhatu (diamond element). It is also the
expression of the Mandala concept about the universe. In fact, this form had
already emerged during the Northern and Southern dynasties (420-581). Nirvana
symbolizing Buddha was already drawn in the murals of the Northern Dynasty
(386-581) in the Dunhuang Grottoes, its shape and structure originating from
India's Buddhaghosa Pagoda.
Extant important diamond pagodas include
Beijing's Stupa of the
Five-Division Vajnadhatu (Zhenjue Monastery, built in 1473), Biyun Monastery,
Qing Jinghua Chengta of Xi Huang Si, and the Cideng Monastery in Hohhot. In front of the Miaozhan Monastery of
Kunming Guandu, there is one such monastery, called Miaoying Lanruo Pagoda.
Existing well-known cross-street pagodas
include the Yuntai in northwest Beijing's Juyongguan
Pass and the Yuntai Shanta in
Zhenjiang of Jiangsu Province, both built during the Yuan Dynasty.