Through the paper cut-out, the Dai follow a proud Chinese tradition, albeit adapted to meet the specific cultural and artistic aspirations of the Dai ethnic group. Unlike paper cut-outs of the Han people, the Dai paper cut-outs not only cut paper, but also use cloth and metal foil as raw materials for their artistic creation. The main cutting tools are simple: scissors, an engraving knife, a carving chisel and a hammer.
There are two methods of creating paper cut-outs: cutting and chiseling. When using scissors, skillful Dai people need no design sample; the design flows with their thoughts. The Dai people can chisel more than 8 layers of paper or metal foil at a time. They first copy a complex motif and patterns on one piece of paper, fix the design together with a stack of carving materials, then grasp the carving chisel in an upright position and press evenly on the paper with some strength along the lines. Flexibility is required, but any hesitation or wiggling will lead to imprecision or damage the whole image.
Clever and deft craftspeople are remarkably good at cutting out scenes of daily life. When you look at items made carefully with this method, you will be amazed by the lifelike expressions of the figure’s sentiment and appearance, or portrayal of natural plants and animals’ diverse gestures.
In the world of paper cut-out art, the skillful folk craftsmen make full use of their imaginations to create various works of beauty and originality. Most of the patterns of paper cut-out are from the paper cut-out drawing, which is used as well to design patterns on household articles such as bed linen, bags and hats. The Dai paper cut-out motifs are beautiful and intricate, composed of images of grass, trees, insects, animals and humans, all interacting in a harmonious way. Others contain a more specific set of story-telling images relevant to Dai culture, as well as to more local traditions.
As one of the branches of paper cut-out in China, the Dai paper cut-out was successfully inscribed in 2009 on UNESCO’s List of Intangible Human Cultural Heritage, together with paper cut-outs of 14 other provinces.
As a key part of Chinese social life in all ethnic groups, paper cut-outs express the moral principles, philosophies and aesthetic ideals of its exponents. It continues to provide an outlet for emotion and is experiencing an unprecedented revival.
Editor: Liu Fang
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