Famille Rose was influenced heavily by colors introduced from Europe. The pink and rose hues of this classification of China are deviations from previous Chinese designs, and the pieces that were produced with the Famille Rose are much more closely associated with the forms of China popular in modern European and Western markets than with older Chinese designs. The Famille Rose palette of colors is more opaque than other color and design groupings. Additionally gold colorations are used more than the deeper red hues of previous designs.
Many Famille Rose patterns were exported to Europe, and the fanciers of China there often refined and redesigned these patterns and sent these designs back to China for production. Thus, while many of the Famille Rose patterns are wholly of Chinese origin, others have roots that intermingle with European designs and ideas. The Famille Rose "era" is from about 1730 to the 1790s. Early Chinese pieces are characterized by large flowers, while later pieces adopt smaller flowers that were more popular in European markets.
The making of fine porcelain pieces is an ancient art in China, practiced for centuries before the area was even explored by the west. However, once the export market became an important part of the Chinese economy, various influences began to influence the colors and designs produced by the country's many kilns and productions sites. Famille Rose is the best example of these styles, and pieces made with these enamel color families are prized by collectors still.
Editor: Hu Zhicheng
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